Literature

The interpreters, written by Wole Soyinka in 1965, divided into two parts, is a social realism which major theme centres on the post-independence moral decadence that plagues the Nigerian society, up-till date, attempted to be solved by the Nigerians who had just returned from studies abroad. Each of the main characters is engaged in the enterprise of interpreting himself in relation to the society in which he lives, in an attempt to discover the right way to live. The narrative is, as a result, multi-stranded and employs a shifting, subjective time-scale, and in some aspects, the narrative situation used is figural, sometimes resulting in flashbacks; rendered with an intense use of language somewhat complex and metaphorical. The novel has its settings in Lagos and University of Ibadan. There is a range of character types in The Interpreters in that each of the main personae has an individual way of interpreting the world, though of course, due to their association with each other, there is a degree of commonality in some respects, both in the sense of shared experience and of quality of experience as intellectuals, though with some exceptions. However, their interpretations tilted towards the same thought stemming from shared experiences as intellectuals, except Kola. They bear the burden of the author’s worries and emphasis on indecision. They collectively and helplessly search for self-identity as a way out of the identity crisis and lack of moral stance.

The Adventures of Souza: A rascally village boy goes hunting, enrolls in a secret cult, meets a magician and engages in other adventures. What were his experiences?

The Late Kola Onadipe had a career both in education and business.

The Boy Slave. Shettima was born near the edge of the Sahara in 1865. He was captured by slavers and sold into a strange new life.

The Return of the Boy Slave: In Kola Onadipe's book, The Boy Slave, Shettima grows up in slavery. This is the story of how, having won his freedom, he uses it to fight against the slave traders.

Hailed by The Washington Post as "a definitive synthesis of the best editions" and by The Times of London as "a monument to Shakespearean scholarship," The Oxford Shakespeare is the ultimate anthology of the Bard's work: the most authoritative edition of the plays and poems ever published.

Now, almost two decades after the original volume, Oxford is proud to announce a thoroughly updated second edition, including for the first time the texts of The Reign of Edward III and Sir Thomas More, recognizing these two plays officially as authentic works by Shakespeare. This beautiful collection is the product of years of full-time research by a team of British and American scholars and represents the most thorough examination ever undertaken of the nature and authority of Shakespeare's work. The editors reconsidered every detail of the text in the light of modern scholarship and they thoroughly re-examined the earliest printed versions of the plays, firmly establishing the canon and chronological order of composition. All stage directions have been reconsidered in light of original staging, and many new directions for essential action have been added. This superb volume also features a brief introduction to each work as well as an illuminating General Introduction. Finally, the editors have added a wealth of secondary material, including an essay on language, a list of contemporary allusions to Shakespeare, an index of Shakespearean characters, a glossary, a consolidated bibliography, and an index of first lines of the Sonnets.

Compiled by the world's leading authorities, packed with information, and attractively designed, The Oxford Shakespeare is the gold standard of Shakespearean anthologies.

Life becomes tough when you are faced with difficult circumstances, societal hindrances and the drive to fulfill your purpose on earth. Then it becomes difficult to understand the reason for your pain when placed on a scale with God’s word and the intent for your life. The question is, what do you do in those times?

So, are you torn between the height you have attained and the dark secrets that keep threatening your light? Are you caught in a web of confusion with no idea why you are created? Are you struggling with the pain you feel as you strive to actualise your purpose in life? Have you tried everything possible to ensure you step out of the dark and let the world see your light? In Understanding Power and Accomplishing Purpose, Debby critically highlights those ups and downs using scriptural teachings with poetry pari pasu life experiences of individuals shared in the book to explain how difficult - but easy – it is, actualising God’s purpose on earth.

Understanding Power & Accomplishing Purpose is an eye opener to purpose in pain. Everyone seeking an explanation to their pain and suffering should get a copy of this book.

From the best-selling author of Americanah and We Should All Be Feminists comes a powerful new statement about feminism today–written as a letter to a friend.
A few years ago, Chimamanda Ngozi Adichie received a letter from a dear friend from childhood, asking her how to raise her baby girl as a feminist. Dear Ijeawele is Adichie’s letter of response.
Here are fifteen invaluable suggestions–compelling, direct, wryly funny, and perceptive–for how to empower a daughter to become a strong, independent woman. From encouraging her to choose a helicopter, and not only a doll, as a toy if she so desires; having open conversations with her about clothes, makeup, and sexuality; debunking the myth that women are somehow biologically arranged to be in the kitchen making dinner, and that men can “allow” women to have full careers, Dear Ijeawele goes right to the heart of sexual politics in the twenty-first century. It will start a new and urgently needed conversation about what it really means to be a woman today.

This special, large-format, lavishly-illustrated edition of Things Fall Apart, 'Africa's best loved novel', is a timely tribute to  'the father of modern African Literature'. It is published to commemorate the 50th Anniversary of a book now considered a classic of African and World Literature. This edition uniquely blends the enduring simplicity of Achebe's tale with the creative visual talents of some of Nigeria's best and bright contemporary artists. The result is a book that will appeal to lovers of African Literature and Art the world over. A treasured testament to the art of story-tellling, Things Fall Apart Illustrated is bound to become a collector's item.

“…He was not only the finest poet of his generation but I believe that as his work becomes better and more widely known in the world he will also be recognised as one of the most remarkable anywhere in our time…”
- Chinua Achebe

 "I am an Okigbo evangelist... Christopher Okigbo is a great poet whose lines everybody should know by heart. They are tremendously beautiful."
Celebrated writer and winner of the Booker Prize for Fiction.- Ben Okri

 "Steeped alike in Western Modernist aesthetics andmyth -making traditions of his Igbo background, he fused worlds with an assurance that married lyric and epic, audacity and grace. This collection… will remind existing readers of Okigbo's prowess and dazzle new ones."
Literary editor of The Independent and former judge of the Booker Prize, and Commonwealth Prize.-Boyd Tonkin

This engaging, thought-provoking lecture triggers crucial questions: Why is the 'state' in Africa often a colossal 'millstone' rather than a 'cornerstone' of development? Why have African states, post-independence, retained inherited colonial structures? Why are people in many parts of Africa poorer today than at independence, and standards of living and security have depreciated? The author posits that the African continent needs a 'second independence' in which the primary aim would be to reclaim the state for citizens; not by bypassing the state but by making the state a genuine partner for development.

Year of Publication: 2015

103 pages

Nigeria's Nollywood has rapidly grown into one of the world's largest film industries, radically altering media environments across Africa and in the diaspora. It has also become one of African culture's most consequential expressions, powerfully shaping how Africans see themselves and are seen by others. With this book, Jonathan Haynes provides an accessible and au­thoritative introduction to this vast industry and its film culture. Haynes describes the major Nigerian film genres and how they relate to Nigerian society—its values, desires, anxieties, and social tensions. He interprets these generic stories and the cast of mythic figures within them: the long-suffering wives, the business tricksters, the Bible-wielding pastors, the kings in their traditional regalia, the glamorous young professionals, the emigrants stranded in New York or London, and all the rest. Based on more than twenty years of research and with vivid descriptions of Nollywood's landmark films and leading directors, this is a book of unprecedented scope on a major branch of world cinema.

Year of Publication: 2017

377 pages

In this literary biography, Sule E. Egya, one of Nigeria’s most promising scholar-critics, brings the skills of the storyteller and the scholar to bear on his recreation of the Osundare story. The result is a readable coming-of-age story that traces the writer’s development from his rural and agrarian roots in Nigeria, through his education in Africa, Europe and North America, to his rise to prominence as one of the most versatile poets writing in English today.

There can be no better platform to register the debt that Osundare owes his parentage, the rigorous discipline of his mentors and the diverse environments in which his outlook on the world has been shaped than this carefully crafted biography. Egya highlights Osundare’s prodigious talent, his unwavering ethical compass, his infectious humanism, his enduring faith in the capacity of literature to reshape the world, and the harmony between his creative imagination and polemical writing. Readers and critics will find the biography an indispensable companion to reading Osundare not just because of the illuminating personal and cultural information that it offers, but also because it equally periodizes Osundare’s work in a way no other book has done.
Prof. Oyeniyi Okunoye, Obafemi Awolowo University, Ile-Ife

In Niyi Osundare: A Literary Biography, Sule E. Egya takes us on a journey of the life experiences of the artist-scholar Niyi Osundare. Indeed, there are some books a reader just can’t put down. This is one of them. It takes you to the other worlds beyond the popular world of artistry and scholarship of one of Africa’s most accomplished men of letters.
Dr. Ogaga Okuyade, Niger Delta University, Wilberforce Island.


ABOUT THE AUTHOR
Sule E. Egya is professor of African Literature and Cultural Studies at Ibrahim Badamasi Babangida University, Lapai, Nigeria. He was formerly Head of the Department of English and Dean of Faculty of Languages and Communication Studies. Widely published and travelled, his interests include literature and politics, literature and the environment, literary theory, and creative writing. He is also an award-winning writer, having authored works of poetry and fiction under the style name E. E. Sule. Among his works are Sterile Sky, winner of the 2013 Commonwealth Prize Africa Region, and the AHP-sponsored Nation, Power and Dissidence in Third Generation Nigerian Poetry in English.

Previously unpublished, Salutation to the Gut is an essay Soyinka wrote more than forty years ago. The essay is a celebration of Yoruba culture, in particular Yoruba food and gastronomic culture. Its witty and whimsical style foreshadows the kind of writing that would become Soyinka's hallmark, and for which he would subsequently win the Nobel Prize for Literature.

Nigeria as a country is bedevilled by myriads of paradoxes. These unite to dwarf its stature and hence there have been popular calls for a National Conference. Yet the powers-that-be oppose its convening with overt recalcitrance prompting Soyinka at Emeka Anyaoku's 70'" Birthday to articulate his position once again and ask "Will the National Conference open up a Pandora's Box?"

Death and the King's Horseman is a play by Wole Soyinka based on a real incident that took place in Nigeria during British colonial rule: the ritual suicide of the horseman of an important chief was prevented by the intervention of the colonial authorities. In addition to the British intervention, Soyinka calls the horseman's own conviction toward suicide into question, posing a problem that throws off the community's balance.

BOMBOY is a story about Leke, a troubled young man living in the suburbs of Cape Town. He develops strange habits of stalking people, stealing small objects and going from doctor to doctor in search of companionship rather than cure. Through a series of letters written to him by his Nigerian father whom he has never met, Leke learns about a family curse; a curse which his father had unsuccessfully tried to remove. BomBoy is a well-crafted, and complex narrative written with a sensitive understanding of both the smallness and magnitude of a single life.

The Lion and the Jewel is a play by Wole Soyinka first performed in 1959. It chronicles how Baroka, the lion, fights with the modern Lakunle over the right to marry Sidi, the titular Jewel. Lakunle is portrayed as the civilized antithesis of Baroka and unilaterally attempts to modernize his community and change its social conventions for no reason other than the fact that he can. The transcript of the play was first published in 1962 by Oxford University Press. Soyinka emphasises the theme of the corrupted African culture through the play as well as how the youth should embrace the original African culture.

The Strong Breed is one of the best known plays by Wole Soyinka. It is a tragedy that ends with an individual sacrifice for the sake of the communal benefit. The play is centered on the tradition of egungun, a Yoruba festival tradition in which a scapegoat of the village carries out the evil of the community and is exiled from the civilization. Eman, the play's protagonist, takes on the role of "carrier", knowing it will result in beating and exile. He does this to spare a young simpleton the same fate. The ritual takes an unexpected turn as Eman flees. His pursuers set a trap for him that results in his death.

The Jero Plays by Wole Soyinka consist of two short plays re-released as a collection in 1973. The Trials of Brother Jero first came out in 1964, while Jero’s Metamorphosis was published two years later in 1966. Both plays satirize Christianity and religious hypocrisy, particularly, the unquestioning devotion that many converts display towards their spiritual leaders, often exposing themselves to manipulation in the process.

As the title suggests, The Trials of Brother Jero is about a charlatan preacher, Brother Jero.  Brother Jero is a cunning beach diviner who woos customers (penitents) to his church by using Christian superstition for his own salvation. For him, the church is a business. He says:

 ‘I am glad I got here before any customers-I mean worshipers..  l always get a feeling every morning that am a shopkeeper waiting for customers.’

Brother Jero is suave while his followers are gullible. He lures people to his church by promising them material gains and promotions through prayer. Chume his assistant often seeks for permission to beat his arrogant wife Amope but Brother Jero disagrees:

‘ I keep my followers dissatisfied because if they are satisfied, they won’t come again..’

This was Soyinka's first collection of poems after winning the Noble prize in literature in 1986 and it is like a political collection as well as a poetic work.

A savage, stabbing inquiry, not into human nature proper, but into human nature viewed through the concave mirrors of solitary confinement and human evil, stretched and warped into horrible familiarity. Soyinka is hard to read, if you read him straight -- this book is most effective when you enter into its twisting, doubling corridors and let Soyinka transform your mind and introspection into a prison of your own. Like most great books, this one works on several levels: an indictment of political injustice, a pyschological study of the prisoner, and (pardon the cliche) a metaphor for the human condition. Brilliant and haunting.

During the Nigerian Civil War (1967–1970) Wole Soyinka was arrested and incarcerated for twenty-two months, most of it spent in solitary confinement in a cell, 4ft by 8ft. His offence: assisting the Biafran secessionists.

The Man Died, now regarded as a classic of prison literature, is a product of this experience. What comes through in the compelling narrative is the author's uncompromising, principled stand on the universality and indivisibility of freedom and human rights.

The Nobel Laureate's reputation as a dramatist tends to cloud his poetic achievement, and in modern African literature, poetry lives in the shadow of fiction. The criticism of Soyinka's poetry has so far centred on his themes of individuality and death, his imagery, and on the controversy over his authenticity, obscurity and difficulty. Here, in a new approach, an academic himself and one of the leading younger generation of African poets, discusses critically the voice and viewpoint of the poet with the object of establishing Soyinka's persona. The book covers the personality and world view of the man, as revealed in his poetry.

This Volume consists of African Proverbs I, II, and III

Bitter Leaf is a richly textured, poetic and evocatively imagined tale about love and loss, parental and filial bonds, and everything in between that makes life bittersweet.

…..a poetically evocative story, rich in texture and vivid descriptions…emotionally accessible and moving…an impressive debut novel.

Okereke’s greatest skill lies in her avoidance of moralising  while telling this engaging, modern-day morality tale.
- Financial Times.

ABOUT THE AUTHOR
Chioma OkerekeChioma Okereke was born in Benin City, Nigeria and moved to London at the age of seven. She started her writing career as a poet before turning her hand to fiction. Her work has been shortlisted in the Undiscovered Authors Competition 2006, run by Bookforce UK, and in the Daily Telegraph ‘Write a Novel in a Year’ Competition 2007. Bitter Leaf is her first novel.

The contents of a tin box – a handful of letters; old journals with marked pages and annotations; school reports; notebook jottings; tax and other levy receipts; minutes of meetings; and programme notes of special events – which belonged to his father, S. A. (“Essay”) Soyinka, a school teacher during the colonial period in Nigeria, provide the grist for Isara: A Voyage Around Essay, the second instalment of Wole Soyinka's memoirs – a son's fictionalised “voyage” into the life and times of his father.

A well written account of childhood in pre independence Yorubaland. Although it is probably not typical, it illustrates the essence of the Yoruba parenting style, a style that makes every adult a parent and every child dutiful. I recommend it.

The volume ‘Essays in Honour of Ama Ata Aidoo at 70: A Reader in African Cultural Studies’ (2012) pays tribute to a woman writer from the African continent who has touched worldwide audiences and acknowledges her status as a ‘literary mover and shaker’. The literary-criticism core of the book is complemented by papers on such issues as African oratory, new media, popular culture texts, African identity, race construction and gendered image.

Ama Ata Aidoo was born in Abeadzi Kyiakor in what was then the Gold Coast (later Ghana) in 1940 and grew up in a Fante royal household. She attended Wesley Girls’ High School in Cape Coast and then the University of Ghana at Legon from 1961-1964 where she graduated with a Bachelor of Arts in English. During this time, she also wrote her first play, ‘The Dilemma of a Ghost’, which came out in 1965 and made her the first African woman dramatist to be published.

Since then, Aidoo has written other plays, novels, short stories and poetry as well as numerous essays on African literature and the status of women in African society. One of her best known novels is ‘Our Sister Killjoy, or, Reflections from a Black-eyed Squint’ (1977). She has won many literary awards, including the Commonwealth Writers Prize for Best Book (Africa) for her second novel, ‘Changes: a Love Story’ (1991). Aidoo’s works of fiction deal with the tension between Western and African world views and the politics of gender and sexual inequality in African society.

In addition to her literary career, Aidoo was appointed Minister of Education under the Provisional National Defence Council in 1982, but resigned after 18 months. She then moved to Zimbabwe to become a full-time writer. She has also lived and worked in the US, the UK and Germany. Aidoo was a long-term Visiting Professor in Africana Studies and the Literary Arts at Brown University.

This is a study of Africa's most widely read, and, arguably, her finest writers. Despite their shared nationality and levels of prestige, each represents a distinct pole of Nigerian writing. On the one hand, there is Wole Soyinka, the playful imagist steeped in the myth and magic of his native Yoruba culture; at the other end of the spectrum, Chinua Achebe's internalized Igbo cultural traditions. Kole Omotoso - himself a prolific writer and prize-winning Nigerian novelist - explores and defines the differences in style, background, and vision betweem the two men. Individual chapters describe the childhood and early experiences of each writer, their cultural influences, education, life styles, and political involvement. Omotoso also observes the responses of Nigerian, British and American critics to their output, with a final chapter dedicated to the vision of each writer for Nigeria. An extensive bibliography completes the volume

In this book, Soyinka argues that all claims that Africa has been explored are as premature as news of her imminent demise. A truly illuminating exploration of Africa has yet to take place. It does not pretend to take place even on the pages of this book, being content with retrieving a few grains for germination from the wasteful threshing floor of Africa's existential totality.