African Series
Throughout his long career, Achebe was a voice for the peoples of Africa and also a formative influence on a new generation of African writers. This volume of tributes and reflections is a fitting testament to his legacy.
“A rich and vibrant novel with shades of brutality, romance and the pressures of a close-knit community. ” —Leila Aboulela, author of The Kindness of Enemies
“A powerful and compelling debut. The taboo subject of an older woman’s sexuality, portrayed with courage, skill, and delicacy, is explored in the context of the criminal underworld and the corrupt politics that exploits it. This is a novel to be savored. ” —Zoe Wicomb, author of October
Season of Crimson Blossoms tells the captivating story of an illicit affair between a twenty-five-year-old street gang leader, Hassan Reza, and a devout fifty-five-year-old widow and grandmother, Binta Zubairu, who yearns for intimacy after the sexual repression of her marriage and the pain of losing her first son. This story of love and longing—set in a conservative Muslim community in Nigeria—reveals deep emotions that defy age, class, and religion.
This novel gives a unique perspective on life and relationships in Northern Nigeria, a region vastly under-represented in the body of world literature.
Abubakar Adam Ibrahim‘s short story collection The Whispering Trees was long-listed for the Etisalat Prize for Literature in 2014, with the title story shortlisted for the Caine Prize for African Writing. Abubakar is a Gabriel Garcia Marquez Fellow (2013) and a Civitella Ranieri Fellow (2015). In 2014, Abubakar was named in the Hay Festival Africa39 list of the most promising writers under the age of forty. Season of Crimson Blossoms has been shortlisted for the $100,000 2016 NLNG Prize for Literature.
The madman.--The voter.--Marriage is a private affair.--Akucke.--Chike's school days.--The sacriticial egg.--Vengeful creditor.--Dead men's path.--Uncle Ben's choice.--Civil peace.--Sugar baby.--Girls at war.
Author: Chinua Achebe
Copyright date: August 1, 1991
Three centuries earlier, a hideous crime occurred, the beheading of a slave who had had inappropriate relations with his Master's daughter. Now, in the very same Kinaxixi Square in the city of Luanda buildings are falling down one by one baffling the country's engineers. Many describe this mysterious process as 'Luanda Syndrome, God's punishment on a degenerate society.
Drawing on the essence of African mythology which had all but been obliterated by history, could this be explained by the return of a Water Spirit (the 'kianda')?
The novel focuses on the interplay between these two forces-the forces of old and new. Just like faith can move mountains, the spirit of the water can move cities.
This book is a scathing critique of Angola's ruling elite, for abandoning their socialist principles in favour of rampant capitalism
Nearby, Leia, Januário and their young daughter are caught up in the pleasure and security of finally finding a flat of their own, while Mena, who was once the beauty of her village, overhears her husband plotting murder.
Before dawn, these innocent people seeking to lead peaceful lives are thrown together in a vicious conspiracy to infiltrate and destabilise Mozambique.
About the Author
Niyi Osundare
Poet, dramatist, critic, essayist, and media columnist, Niyi Osundare has authored over ten volumes of poetry, two books of selected poems, four plays, a book of essays, and numerous articles on literature, language, culture, and society. He regards his calling as a writer and his profession as a teacher as essentially complementary.
He was educated on three continents: B.A. (Honours) from the University of Ibadan, Nigeria, M.A. from the University of Leeds in England, and Ph.D. from York University, Toronto, Canada. The wide and varied exposure accruing from this has proved very useful for his writing and teaching careers. Born in Nigeria, one of the most linguistically and culturally heterogeneous countries in the world, he learnt early in life the complexities and challenges of diversity.
He began his teaching career at the University of Ibadan in 1974 and rose to the position of full professor there in 1989. From 1993 to 1997, he was the chair of its Department of English. He was a Fulbright scholar at the University of Wisconsin-Madison, 1990 to 1991, and in 1991/92, an associate professor of English at the University of New Orleans, where he returned as full professor in 1997, and was selected university research professor in 2001. His areas of specialization are African literature, literature of the African diaspora, literary stylistics, sociolinguistics, and creative writing
The second story, which is as modern as the first is ancient, and which elevates the book to a tragic plane, concerns the clash of cultures and the destruction of Okonkwo's world through the arrival of aggressive, proselytizing European missionaries. These twin dramas are perfectly harmonized, and they are modulated by an awareness capable of encompassing at once the life of nature, human history, and the mysterious compulsions of the soul. THINGS FALL APART is the most illuminating and permanent monument we have to the modern African experience as seen from within
From the harsh realities of South Africa, elegantly described by Nobel Prize winner Nadine Gordimer, to the fantastic world of Booker Prize winner Ben Okri and from the magic realism of Mozambican Mia Couto to the surreal world of Ghanaian Kojo Laing, the editors have distilled the essence of contemporary African writing. Blending the supernatural and the secular, the market-place and the shrine, this anthology gives the reader a taste of the full range of African literary styles
In this collection of short stories, Aidoo elevates the mundane in women's lives to an intellectual level in an attempt at challenging patriarchal structures and dominance in African society. Written from a child's perspective, Aidoo subverts the traditional beliefs and assumptions about the child's voice. Her inimitable sense of style and eloquence, explores love, marriage and relationships with all the issues they throw up for the contemporary African woman. In doing so, she manages to capture the very essence of womanhood.
This is an African retelling of Euripides: an unnervingly topical story of a people and a beloved city destroyed by the brutality of war. The play was first performed in Lagos in 2003 under the distinguished director Chuck Mike, and subsequently toured the UK.
The author introduces his work:
‘In 1821, the combined forces of the armies of two Yoruba kingdoms ransacked the city of Owu. Owu was a model city-state, one of the most prosperous and best organised of those times. The Allied Forces attacked it with the pretext of liberating the flourishing market…they slaughtered all the males and carried the females into slavery. Owu was never rebuilt…So it was quite logical that as I pondered over this adaptation of Euripides’ play in the season of the Iraqi war that the memories awakened in me should be those of the tragic Owu war…’
About the Author
Femi Osofisan
Femi Osofisan is a prolific Nigerian critic, poet, novelist, and playwright whose work attacks political corruption and injustice, was born in Erunwon village in the old Western Region of Nigeria and educated at the universities of Ibadan, Dakar, and Paris; he is a professor of drama at the University of Ibadan. Among the literary awards and commendations he has won are prizes from the Association of Nigerian Authors (ANA) for both drama (1980) and poetry (1989) and in 2004 he was awarded the Nigerian National Order of Merit (NNOM), the highest academic prize in that country.
This play satirises the decay in the university system in Nigeria as symptomatic of larger social ills: prostitution, religious zeal and cultism, corruption and social injustice.
In the drama, a young woman, Beatrice, is raped by a group of cultists. The perpetrators are brought to court. But as the judge turns out to be an aunt of one of the cultists, the court is corrupted as she bribes the police to release her nephew.
About the Author:
Olu Obafemi is a playwright, poet and scholar. He is Professor of English at the University of Ilorin, Nigeria, and President of the Association of Nigerian Authors (ANA). He is a notable critic of contemporary theatre in Nigeria.