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The Bikoroa Plays By J.P. Clark
The Bikoroa Plays is a major of cycle of three plays, The Boat, The Return Home and Full Circle that were first staged in 1981 at the University of Lagos and the National Theatre of Nigeria. The Boat is a prose drama that documents Ngbilebiri history. The Return Home is a historical play set in the 1920s. Full Circle is set in the 1950s and concerns a brothers' quarrel in a traditional setting. The three plays are characterised by their dramatic qualities and unique poetic voice.
₦1,000
The Lion and the Jewel By Wole Soyinka
The Lion and the Jewel is a play by Wole Soyinka first performed in 1959. It chronicles how Baroka, the lion, fights with the modern Lakunle over the right to marry Sidi, the titular Jewel. Lakunle is portrayed as the civilized antithesis of Baroka and unilaterally attempts to modernize his community and change its social conventions for no reason other than the fact that he can. The transcript of the play was first published in 1962 by Oxford University Press. Soyinka emphasises the theme of the corrupted African culture through the play as well as how the youth should embrace the original African culture.
₦1,000
ALAPATA APATA: A Play for Yorubafonia, Class for Xenophiles By Wole Soyinka
After an exceptionally successful career as a butcher; Alaba, the protagonist of this play decided that he deserves a life of quite retirement. Unfortunately beneath the rock on which he has chosen to make his abode are precious mineral deposits. Soon, both Alaba and the rock become a place of more than passing interest to everyone – from the lowly, to denizens of power: The outcome of this rollicking drama is more than anyone, least of all, Alaba himself, bargained for:

Wole Soyinka’s latest play, is a powerful satire of the idiosyncrasies and excesses of our contemporary Nigeria society; the corruption of power; opportunism and cultural alienation.
₦2,000
Kongi's Harvest: A Play By Wole Soyinka
Kongi's Harvest is a 1965 play written by Wole Soyinka. It premiered in Dakar, Senegal, at the Negro Arts Festival. It was later adapted as a film of the same name, directed by the American Ossie Davis.

The play was published in 1967 in London and New York by Oxford University Press (Three Crowns Books; 96 pp).

President Kongi, the dictator of an African developing nation, is trying to modernize after deposing King Oba Danlola, who is being held in detention. Kongi demands that Danlola present him with a ceremonial yam at a state dinner to indicate his abdication. Daodu, Danlola's nephew and heir, grows prized yams on his farm.

Daodu's lover Segi owns a bar where Daodu spends most of his time. She is revealed to have been Kongi's former lover.

As the different tribes are resisting unification, Kongi tries to reach his goal by any means necessary, including forcing government officials to wear traditional African outfits and seeking advice from the man he deposed. In a climactic scene at the state dinner, Segi presents Kongi with the head of her father.
₦600
The Black Hermit: A Play By Ngugi
Should Remi, the first of his tribe to go to university, return to his people? Or should he continue to be a black hermit in the town?
₦1,500
A Play of Giants By Wole Soyinka
The play, a Play of Giants, was written by Wole Soyinka to present a savage portrait of a group of dictatorial African leaders at bay in an embassy in New York City, United Nations. The play was purposely written to show the resemblance between the recent historical characters/African leaders and long or one time leaders in Africa who were known for their authoritarian or tyrannical rule and these include: Macias Nguema (late) of Equatorial Guinea, Jean Basptiste Bokassa of the Central African Republic, Mobutu Sese Koko of Congo Kinshasa and the Hero of heroes, the Field Marshal El-Haji Dr. Idi Amin of Uganda.

The play started with three of the dictatorial African leaders, Kamini, Kasco and Gunema who are planning to get a life-size group sculpture of the 'crowned heads' in their likeness. They have the intentions of making their statues part of other statues that would be placed at the UN stair passage. Their discussion on power and governance was interrupted by the presence of the Chairman of the Bugara Central Bank who brought the news of the refusal of the World Bank to grant Bugara country the demanded loan based on the ground of unsatisfied conditions to which the Bugaran President, Life President Dr. Kamini, responded that the Chairman should go back and agree to whatsoever conditions put forward by the World Bank even at the expense of the Bugaran people's body and soul.
₦600
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