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Poems Of Black Africa By Wole Soyinka
Poems of Black Africa is a poetry anthology edited by Wole Soyinka, and published in 1975 (see 1975 in poetry) as part of the Heinemann African Writers Series. It was arranged by theme.
Chronicles of the Happiest People on Earth by Wole Soyinka
The novel tells the story of a pact and an alliance formed between four friends, to make an impactful change in their nation. Now in the late stages of adulthood, against an evolving political landscape and a change of government, they drift apart, reunite, navigate complex familial relationships, and increasingly gain recognition in their professions — all the while, their paths interweave with those of prominent religious, community and government leaders, and the tide begins to turn against them, with dire consequences.
It is a dramatic and engaging read, laced with humour and extraordinary characters. The read also provides a realistic perspective on the state of affairs in Nigeria, with a depth of commentary. In Soyinka’s expert hands, the apparently disparate strands are woven together with a master story-teller’s aplomb. CHRONICLES OF THE HAPPIEST PEOPLE ON EARTH, is a great and unputdownable read from start to finish.
The Forest of a Thousand Daemons By D. O. Fagunwa Translated by Wole Soyinka
This book is a free translation of the Chief D. O. Fagunwa's novel, Ogboju Ode Ninu Igbo Irunmale, the most famous of all works of Yoruba fiction. It is the pilgrimage of the Yoruba race and its themes are universal: the quest for lasting happiness and peace of mind and the hazards this entails Wole Soyinka has put this novel at the disposal of a wider reading public by translating it into English. He is a leading national playwright, novelist and poet. His works include Season of Anomy also in this series.
In The Forest Of Eledumare Translated By Wole Soyinka
This is the English translated version of one of the great work of Chief D.O. Fagunwa's. Igbo Eledumare, translated by Wole Soyinka.
QUIS CUSTODIET IPSOS CUSTODES?: GANI'S UNFINISHED BUSINESS By Wole Soyinka
There is a very subjective sense, near mystical, in which I feel that the mantle has been placed on my shoulders to respond to the rhetorical question posed in the title of this address: Quis custodiet ipsos custodes? Fortunately this also compels me to discharge the onerous burden of conforming to a moral and legal caution which goes – ubi jus ibi remedium. I promise this is the last time I shall talk Latin, no matter how much Greek provocation we encounter along the way: That last item means simply: he who comes to equity must come with clean hands. For four years, Mr. President, the nation had accorded you such servile obeisance on the understanding that you inherited a weak state and that anything after Abacha was tolerable. The people were optimistic that you had the credentials to lead them to the Promised Land. What will now pass as your mythical image of a great achiever and statesman prevailed on even the doubting Thomases to believe that you were divinely anointed. But barely two years into your first term, it was clear to even your most jaundiced admirers that you are not after all the Messiah this nation has been waiting for. –The Devil Is It, Mr. President: (An Open Letter to President Obasanjo - January 21, 2004) by Dangiwa Abubakar Umar, Rtd Col.
The Poetry of Wole Soyinka By Tanure Ojaide
The Nobel Laureate's reputation as a dramatist tends to cloud his poetic achievement, and in modern African literature, poetry lives in the shadow of fiction. The criticism of Soyinka's poetry has so far centred on his themes of individuality and death, his imagery, and on the controversy over his authenticity, obscurity and difficulty. Here, in a new approach, an academic himself and one of the leading younger generation of African poets, discusses critically the voice and viewpoint of the poet with the object of establishing Soyinka's persona. The book covers the personality and world view of the man, as revealed in his poetry.
The Man Died: Prison Notes of Wole Soyinka By Wole Soyinka
A savage, stabbing inquiry, not into human nature proper, but into human nature viewed through the concave mirrors of solitary confinement and human evil, stretched and warped into horrible familiarity. Soyinka is hard to read, if you read him straight -- this book is most effective when you enter into its twisting, doubling corridors and let Soyinka transform your mind and introspection into a prison of your own. Like most great books, this one works on several levels: an indictment of political injustice, a pyschological study of the prisoner, and (pardon the cliche) a metaphor for the human condition. Brilliant and haunting.
During the Nigerian Civil War (1967–1970) Wole Soyinka was arrested and incarcerated for twenty-two months, most of it spent in solitary confinement in a cell, 4ft by 8ft. His offence: assisting the Biafran secessionists.
The Man Died, now regarded as a classic of prison literature, is a product of this experience. What comes through in the compelling narrative is the author's uncompromising, principled stand on the universality and indivisibility of freedom and human rights.
During the Nigerian Civil War (1967–1970) Wole Soyinka was arrested and incarcerated for twenty-two months, most of it spent in solitary confinement in a cell, 4ft by 8ft. His offence: assisting the Biafran secessionists.
The Man Died, now regarded as a classic of prison literature, is a product of this experience. What comes through in the compelling narrative is the author's uncompromising, principled stand on the universality and indivisibility of freedom and human rights.